Many thanks to Moldiyar Yergebekov (Suleyman Demirel University), for his questions and dialogue with Rico Isaacs about the book Film and Identity in Kazazkhstan: Soviet and Post-Soviet Culture in Central Asia, published in 2018 by I.B. Tauris.
As Central Eurasian researchers and scholars, we sometimes find ourselves working in a field over-determined by tired and limited tropes, particularly when news about the region makes its way to the mainstream press. As curator and online zine editor Ciarán Miqeladze wryly puts it, “Uzbekistan is no different in this matter. The Central Asian country is constantly treated to the same narrative of a post-Soviet, despot-controlled country, replete with bridenappings, magical men on horses, and Instagram-able mountain ranges housing radical Islamic terrorists.” However, at the avant garde culture site Post Pravda, where Ciaran and his colleagues are working to amplify local and alternative voices from the Caucasus to Eastern Europe and beyond, the goal is to provide different viewpoints and narratives. Continue reading Check out new blogs on Central Asia: Exploring ‘Scapes’ of Sight and Sound