“We Are Not Mutants”
Stihia Festival promised to be the Burning Man of Central Asia. On September 14, hundreds of revelers gathered in Moynaq, a once bustling port at the edge of the brimming Aral Sea, but now a dusty town in the Karakalpak autonomous region of northwestern Uzbekistan. Festival goers arrived from cities across Uzbekistan and other parts of Central Asia, Europe, and the US, hoping to rave to techno sets mixed by DJs from Tashkent, Moscow, Tbilisi, and Berlin. Media reports soon followed, describing the spectacle: the desolate landscape of a former sea-bed-turned-desert; electro-music as rain-song to call back the sea or, at least, to raise environmental awareness; the hundreds of curious locals who showed up to observe the festivities.
Continue reading Shifting Seas: The Lived Landscapes of Aral by Grace H. Zhou, Stanford University
If you are reading this blog in your office or at home, look around you. It is probable that you are surrounded by a myriad of objects of everyday use imported from China, even if the production process of the products themselves has been completed outside of China: pens, ink, memory sticks, mouse pads, brush and dustpan, safety pins, spoons, handbag, umbrella, the foil paper in your kitchen, your socks, your clothes’ buttons, zipper or bra’s underwire – and the list goes on. How were these items sourced? Who was responsible from bringing them to the shop where you finally purchased them? What type of exchanges, transactions, mobilities and circulations of people, knowledge, money, value, goods, ideas and emotions have been implicated in the trajectories of such goods? Continue reading Yiwu and Transnational Traders: Intersections along Eurasia, Central, South and West Asia, by Diana Ibañez Tirado (University of Sussex)
As Central Eurasian researchers and scholars, we sometimes find ourselves working in a field over-determined by tired and limited tropes, particularly when news about the region makes its way to the mainstream press. As curator and online zine editor Ciarán Miqeladze wryly puts it, “Uzbekistan is no different in this matter. The Central Asian country is constantly treated to the same narrative of a post-Soviet, despot-controlled country, replete with bridenappings, magical men on horses, and Instagram-able mountain ranges housing radical Islamic terrorists.” However, at the avant garde culture site Post Pravda, where Ciaran and his colleagues are working to amplify local and alternative voices from the Caucasus to Eastern Europe and beyond, the goal is to provide different viewpoints and narratives. Continue reading Check out new blogs on Central Asia: Exploring ‘Scapes’ of Sight and Sound