This special blog post was translated and shared with us by Dr. Richard Bland, currently a Research Analyst the University of Oregon Museum of Natural and Cultural History, who has translated a wide variety of volumes and materials related to Russian and Soviet archeology, including the biography of Aleksei P. Okladnikov, well-known archeologist of Soviet Siberia. The material presented here was written by Dr. Elena Okladnikova, the daughter of Okladnikov and herself a Professor of Sociology and Religious Studies at Herzen State Pedagogical University of Russia in St. Petersburg.
This blog presents an excerpt of Okladnikova’s original biographical article “V.D. Zaporozhskaya: Scholar of Siberia: The Gendered Aspect of a Personal History” – the original Russian version was published in 2017 in Women in Russian Society 3 (84): 80-92, and was translated by R. Bland in 2019. That full text details the professional biography of Vera Dmitrievna Zaporozhskaya, the wife of Okladnikov, and mother of Okladnikova. Zaporozhskaya was herself a prolific archeological researcher, scientific artist, and photographer, who documented many Russian archeological expeditions in Siberia and Central Asia in the 1930s and 1940s, and who provided illustrations and design for the many volumes published on those projects (several of which are listed here below). It is important to recognize that while certain scholars were credited for those works, in fact these are the efforts of teams of talented individuals.
We would encourage our readers to consider this personal biography in understanding the rich tradition of historical archeological research in Soviet Central Asia and Siberia, and to read alongside contemporary research on similar Paleolithic sites from Altai to Transbaikal, which informs our understanding of hominid migration across the region.
Kolobova, Kseniya A., et. al. (2020) “Archeological Evidence for two separate dispersals of Neanderthals into southern Siberia.” PNAS 117(6). https://doi.org/10.1073/pnas.1918047117
Kuzmin, Yaroslav V. (2007) “Chronological Framework of the Siberian Paleolithic: Recent Achievements and Future Directions.” Radiocarbon 49(2): 757 – 766.
Li, Feng, et. al. (2019) “Heading north: Late Pleistocene environments and human dispersals in central and eastern Asia.” PLOS 14(5). doi: 10.1371/journal.pone.0216433
Rybin, Evgeny. (2014). “Tools, beads, and migrations: Specific cultural traits in the Initial Upper Paleolithic of Southern Siberia and Central Asia.” Quaternary International 347(1). DOI: 10.1016/j.quaint.2014.04.031
Vera Dmitrievna Zaporozhskaya was born (30 September 1912) in Chita, Russia, her childhood and youth was spent in Irkutsk. After graduation from high school in 1928 she entered the Irkutsk Art College, which at that time was directed by the well-known in Siberian artist and teacher I. L. Kopylov, who first noticed her artistic talent. As early as her years of study at the college, Vera Dmitrievna felt her mission was to become a theater artist. She settled into work at the Irkutsk Regional Museum, where her father worked as a glazier. She worked in the museum from 1932 to 1933 as deputy director of the art gallery (Fig. 1). It was in the museum that she met a talented archaeologist, head of the Paleolithic Department, A. P. Okladnikov. Their wedding took place in June 1932. To her mother, who was then staying with relatives in Donetsk, Vera Dmitrievna sent a brief telegram: “Married, bless me, Vera.” [i] (Fig. 2).
In 1933 she went to Leningrad with her husband, who entered graduate school at the State Academy of History of Material Culture (GAIMK) oriented toward “The History of Pre-Capitalistic Societies.” She was able to do much in these years: she entered the Academy of Fine Arts, then went to the school for lab work at the State Hermitage under the direction of the outstanding archaeologist M. P. Gryaznov; she also worked as a laboratory technician at the State Academy of Material Culture (GAIMK). At GAIMK Vera Dmitrievna finished courses for bookkeepers and accountants, as well as learning the art of documentary photography. From 1933 she worked in the Hermitage in the Department of the History of Pre-Capitalistic Society, and from 1936 to 1941 at the Institute of Material Culture. She completed archaeological courses at the Academy of Sciences and received the rank of Junior Researcher. As an artist in those years she helped to design scientific works and journals.[ii]
All spring-summer-fall seasons in the 1930s she and her husband spent on expeditions, organized at first by the Irkutsk Regional Museum, then by GAIMK. The materials from these investigations were the basis of work in the archaeological study of regions for future construction: the Angara, Ust’-Ilim, and Bratsk hydroelectric stations. The archaeological materials obtained were the basis of the books that were written then by V. D. Zaporozhskaya and A. P. Okladnikov. [iii] In 1939 she and her husband discovered the presently world-famous Buret’ site. There they found the unique image of Paleolithic Venus—an anthropomorphic bone figurine in fur coveralls. It was Vera Dmitrievna who sketched the finds at Buret’, drew the plans of the dwellings, and conducted photographing of this unique Paleolithic site (Fig. 3).
Figure 3. V. D. Zaporozhskaya and A. P. Okladnikov at excavations in Buret’, Angara, 1939 (Author’s archive, 2017).
Zaporozhskaya took an active part in field work for the study of Neolithic and Eneolithic burials in the Angara region, that is, in search of the “first Americans,” as called by the American anthropologist Aleš Hrdlička, who met V. D. Zaporozhskaya and A. P. Okladnikov on the Angara in 1939.That is where the artistic talent of Vera Dmitrievna and her sharp scholarly intuition were useful. In those years she masterfully executed the now classic reconstruction of the clothing of peoples of the Angara Neolithic period, included in all the textbooks on the history of the culture of peoples of Siberia. Its reconstruction is a brilliant example of integrated historical-artistic research: in costume are represented decorations of nephrite and mother-of-pearl fangs of Siberian deer, complementing the cut of the clothing, which combined the “Tungus frock” and the Tungus apron (Fig 4).
The 1938 field season, and also seasons of the first post-war years, Zaporozhskaya spent in Central Asia, on the archaeological crew of her husband. The purpose of the work of this crew of the interdisciplinary archaeological expedition of M. E. Masson was the study of the Stone Age. It was in this expedition that the burial of a Neanderthal boy was discovered by Zaporozhskaya and Okladnikov. Publication of this find became the stellar hour in the scientific career of A. P. Okladnikov. In the post-war years Zaporozhskaya took part in archaeological study of the Turkmen deserts, in the discovery of a Mesolithic burial near Kailyu Cave, in the Neolithic “jewelry workshop” near Kuba-Sengir Mountain, and in excavations at Dam-Dam Chemshe Cave.
From 1941 to 1943 she worked in Yakutsk in the regional museum, and then from 1943 to 1945 in Yakutsk in the Science-Research Institute of Language, Literature, and History (Fig. 5). In her autobiography dated to 1945 she wrote that she participated in eleven archaeological expeditions (Fig. 6). On 8 March 1945, by order No. 46 of the Science-Research Institute of Language, Literature, and History, as an artist and archaeologist of the Lena Archaeological Expedition, she was awarded acknowledgment “for good production work.”
Figure 5. V. D. Zaporozhskaya. Yakutsk, 1945 (Author’s archive, St. Petersburg, 2017).
[insert Figure 6. These expeditions and sites were described in Okladnikov and Beregovaya, with forward by Okladnikova and translated by Richard Bland (2008).
In the 1940s, V. D. Zaporozhskaya and A. P. Okladnikov conducted field work in the Arctic. She spent six years on expeditions on the Lena River. This delicate woman “with a classic figure and long braid”[iv] paddled thousands of kilometers, that is, all the way from Kachuga village on the upper Lena to Tiit-Ary Island on the lower Lena. She learned to manage the sail, to feel the flow of the great Siberian river, to withstand bad weather and the “nizovka”—a treacherous wind that drags the boat not down but up the river. She infused much spiritual and intellectual force into her husband’s major work, Istoriya Yakutii [The History of Yakutia]:[v] she sketched, drew, photographed, made plans of excavations, and kept a field log. She and her husband jointly studied the winter camp of the first Russian mariners on Cape Baranov (Taimyr 1948), where she, as usual, participated in the excavation, was occupied with photo-recording the finds, and fearlessly carried out field processing of the finds while being constantly watched by hungry polar bears.
Zaporozhskaya was occupied with archaeological research in Kolyma and Tadzhikistan (1948), again returning to the Angara and Lena (1951), and working in Zabaikal’e [Transbaikal] (1947–1951). Up to the last days of her life, she was immersed preparing for publication of the large, now classic investigations of the rock art of Siberia and the Far East—Petroglify Srednei Leny [Petroglyphs of the Middle Lena], Petroglify Nizhnego Amura [Petroglyphs of the Lower Amur], and Petroglify Zabaikal’ya [Petroglyphs of Transbaikal]. On New Year’s Eve 1959/60 in the Leningrad apartment on Nevsky Prospect, V. D. Zaporozhskaya inscribed a dedication on the title page of the joint (with her husband) monograph Lenskie pisanitsy [Lena’s Writings]: “This book, Alyosha, I give to you—your inexhaustible creative flame, brilliant thought and boldness. Everything that I did in archeology, all this was done only for you. The pages of this book contain so much that is so dear to me, and to you. Preserve it. Vera. 31/12/1959.” [vi] These lines can become the epigraph to this article. In them openly and clearly rings the declaration of this bright and talented woman in her love for her husband, archaeology, and sites of the ancient art of the peoples of Siberia.
In the 1970s and 1980s she became one of the leading organizers of the Museum of History and Culture of the Peoples of Siberia, Institute of History, Philology and Philosophy, Siberian Branch, Academy of Sciences, USSR.
Michael, Henry N. 1970. Yakutia Before Its Incorporation into the Russian State. (A translation of A.P. Okladnikov’s History of Yakutia 1950. McGill-Queen’s University Press.
Okladnikov, A. P. 1955a. Неолит т Бронзобый век Прибайкалья. Издательство Академии Наук, СССР.
Okladnikov, A. P. 1955b. Материалы и Исследовании по Археологии СССР. Издательство Академии Наук, СССР.
Okladnikov, A.P. and N. A. Beregovaya. 2008. The Early Sites of Cape Baranov. (translated by Richard L. Bland). Shared Beringian Heritage Program.
 Author’s archive, St. Petersburg, 2017.
[i] The materials described through this excerpt are contained at the time of writing in the author’s own archive in St. Petersburg, and are cited here with permission.
[ii] Author’s archive, St. Petersburg, 2017.
[iii] These texts were usually published with Okladnikov as author (e.g. 1955a, 1955b).
[iv] Author’s archive, St. Petersburg, 2017.
[v] Okladnikov’s Istoriya Yakutii [The History of Yakutia was published in 1950, republished in 1955, and was translated into English and republished as Yakutia Before Its Incorporation into the Russian State by Henry N. Michael in 1970.
[vi] Author’s archive, 1980s.